[On Literary Censorship]: Malinda Lo’s Last Night at the Telegraph ClubOn finding connection amidst societal anxietyOct 17A response icon5Oct 17A response icon5
[On Literary Censorship]: Maya Angelou’s I Know Why the Caged Bird SingsOn identity and connection in the face of societal turmoilOct 14A response icon3Oct 14A response icon3
[On Literary Censorship]: Aldous Huxley’s Brave New WorldOn utopian dystopias, sex as scandal, and the passage of time.Sep 4A response icon13Sep 4A response icon13
“All my stories are about you”: CG Drew’s’ Don’t Let the Forest InThere is perhaps nothing more monstrous than love. It’s the one beast to which we all feed ourselves willingly, the one which takes the…May 8A response icon1May 8A response icon1
[On Literary Censorship]: Vladimir Nabokov’s LolitaOn morality, appearances, and engaging with the uncomfortable.Sep 17, 2024A response icon1Sep 17, 2024A response icon1
[Book Review]: Clay McLeod Chapman’s What Kind of MotherParenthood’s soft, vulnerable underbelly has never been so exposed.Aug 29, 2024Aug 29, 2024
[Book Review]: Stephen Graham Jones’ I Was a Teenage SlasherOn slashers, destiny, and breaking cycles.Jul 29, 2024Jul 29, 2024
[Book Review]: Stephen Graham Jones’ The Angel of Indian LakeOn Final Girls, trilogies, and the passion to survive.Jan 7, 2024Jan 7, 2024
[On Literary Censorship 2023]: Sylvia Plath’s The Bell JarOr, being 30 and floundering for purchase in a superficial world.Oct 2, 2023A response icon1Oct 2, 2023A response icon1
[On Literary Censorship 2023]: “The end is only the beginning”, Radclyffe Hall’s The Well of…A cry for queer recognitionSep 4, 2023Sep 4, 2023
![[On Literary Censorship]: Malinda Lo’s Last Night at the Telegraph Club](https://miro.medium.com/v2/resize:fill:160:106/1*AsAu6jq2VaWOC6GzeH6MSw@2x.jpeg)
![[On Literary Censorship]: Malinda Lo’s Last Night at the Telegraph Club](https://miro.medium.com/v2/resize:fill:320:214/1*AsAu6jq2VaWOC6GzeH6MSw@2x.jpeg)
![[On Literary Censorship]: Maya Angelou’s I Know Why the Caged Bird Sings](https://miro.medium.com/v2/resize:fill:160:106/0*BGrBARVDCnkRXDtC.jpg)
![[On Literary Censorship]: Maya Angelou’s I Know Why the Caged Bird Sings](https://miro.medium.com/v2/resize:fill:320:214/0*BGrBARVDCnkRXDtC.jpg)
![[On Literary Censorship]: Aldous Huxley’s Brave New World](https://miro.medium.com/v2/resize:fill:160:106/0*MqgGI9fldkUMzqvh.jpg)
![[On Literary Censorship]: Aldous Huxley’s Brave New World](https://miro.medium.com/v2/resize:fill:320:214/0*MqgGI9fldkUMzqvh.jpg)
![[On Literary Censorship]: Vladimir Nabokov’s Lolita](https://miro.medium.com/v2/resize:fill:160:106/0*fMyUWtLfANcjHvVV.jpg)
![[On Literary Censorship]: Vladimir Nabokov’s Lolita](https://miro.medium.com/v2/resize:fill:320:214/0*fMyUWtLfANcjHvVV.jpg)
![[Book Review]: Clay McLeod Chapman’s What Kind of Mother](https://miro.medium.com/v2/resize:fill:160:106/1*Z_tNRiIwPJNiy2T1iuCGiw.jpeg)
![[Book Review]: Clay McLeod Chapman’s What Kind of Mother](https://miro.medium.com/v2/resize:fill:320:214/1*Z_tNRiIwPJNiy2T1iuCGiw.jpeg)
![[Book Review]: Stephen Graham Jones’ I Was a Teenage Slasher](https://miro.medium.com/v2/resize:fill:160:106/1*aofldulpg7rdRpvtng4pfg.jpeg)
![[Book Review]: Stephen Graham Jones’ I Was a Teenage Slasher](https://miro.medium.com/v2/resize:fill:320:214/1*aofldulpg7rdRpvtng4pfg.jpeg)
![[Book Review]: Stephen Graham Jones’ The Angel of Indian Lake](https://miro.medium.com/v2/resize:fill:160:106/0*ou0aT1KK9VwF409w.jpg)
![[Book Review]: Stephen Graham Jones’ The Angel of Indian Lake](https://miro.medium.com/v2/resize:fill:320:214/0*ou0aT1KK9VwF409w.jpg)
![[On Literary Censorship 2023]: Sylvia Plath’s The Bell Jar](https://miro.medium.com/v2/resize:fill:160:106/1*elLnkti6vr9UzLc_g4AugA.jpeg)
![[On Literary Censorship 2023]: Sylvia Plath’s The Bell Jar](https://miro.medium.com/v2/resize:fill:320:214/1*elLnkti6vr9UzLc_g4AugA.jpeg)
![[On Literary Censorship 2023]: “The end is only the beginning”, Radclyffe Hall’s The Well of…](https://miro.medium.com/v2/resize:fill:160:106/1*IV3Mpn6_nYMpYXIF8XANKw.jpeg)
![[On Literary Censorship 2023]: “The end is only the beginning”, Radclyffe Hall’s The Well of…](https://miro.medium.com/v2/resize:fill:320:214/1*IV3Mpn6_nYMpYXIF8XANKw.jpeg)
