Katelyn·Oct 17, 2025[On Literary Censorship]: Malinda Lo’s Last Night at the Telegraph ClubOn finding connection amidst societal anxietyA response icon5A response icon5
Katelyn·Oct 14, 2025[On Literary Censorship]: Maya Angelou’s I Know Why the Caged Bird SingsOn identity and connection in the face of societal turmoilA response icon3A response icon3
Katelyn·Sep 4, 2025[On Literary Censorship]: Aldous Huxley’s Brave New WorldOn utopian dystopias, sex as scandal, and the passage of time.A response icon12A response icon12
Katelyn·May 8, 2025“All my stories are about you”: CG Drew’s’ Don’t Let the Forest InThere is perhaps nothing more monstrous than love. It’s the one beast to which we all feed ourselves willingly, the one which takes the…A response icon2A response icon2
Katelyn·Sep 17, 2024[On Literary Censorship]: Vladimir Nabokov’s LolitaOn morality, appearances, and engaging with the uncomfortable.A response icon1A response icon1
Katelyn·Aug 29, 2024[Book Review]: Clay McLeod Chapman’s What Kind of MotherParenthood’s soft, vulnerable underbelly has never been so exposed.
Katelyn·Jul 29, 2024[Book Review]: Stephen Graham Jones’ I Was a Teenage SlasherOn slashers, destiny, and breaking cycles.
Katelyn·Jan 7, 2024[Book Review]: Stephen Graham Jones’ The Angel of Indian LakeOn Final Girls, trilogies, and the passion to survive.
Katelyn·Oct 2, 2023[On Literary Censorship 2023]: Sylvia Plath’s The Bell JarOr, being 30 and floundering for purchase in a superficial world.A response icon1A response icon1
Katelyn·Sep 4, 2023[On Literary Censorship 2023]: “The end is only the beginning”, Radclyffe Hall’s The Well of…A cry for queer recognition